THE THIRD MAN’s restoration is essential viewing
THE THIRD MAN, Carol Reed’s classic noir, remains one of the greatest films ever made – and, thanks to its new restoration, it looks great too.
THE THIRD MAN, Carol Reed’s classic noir, remains one of the greatest films ever made – and, thanks to its new restoration, it looks great too.
FELT is an odd and uncomfortable movie about the intersection between the power fantasy of superheroics and the security of survivors.
Crystal Moselle’s THE WOLFPACK is a truly remarkable story, and her documentary about the Angulo clan is empathetic and fascinating.
Asghar Farhadi’s breakout film is finally getting an American release after the critical acclaim of A SEPARATION. How does it hold up?
EVERY SECRET THING has a remarkable writer adapting a great pulp novelist with an excellent cast. Why doesn’t it come together?
WELCOME TO ME gives Kristen Wiig a tough transition to less overtly comedic roles, but she carries it off with style and force.
Pitch Perfect 2 reunites the cast from the much-loved first film for a sequel that is simultaneously an improvement and absolutely nothing.
Wonder Woman doesn’t need a female director; Hollywood movies with all kinds of characters need women at the helm!
QUEEN AND COUNTRY, John Boorman’s semi-autobiographical sequel to 1987’s HOPE AND GLORY, is a charming military comedy.
OUT IN THE NIGHT is a powerful piece of documentary journalism. As a film, it’s not the most engaging; as a story, your blood will boil.
FURIOUS 7 is a middling entry into one of the most unexpected blockbuster franchises around, but James Wan finds new charms in the cast.
The Look of Silence is the follow-up to the groundbreaking 2012 documentary, The Act of Killing. It is horrifying and essential.
SLOW WEST is a darkly funny Western with a winning cast. It’s a bit too traditional at times, but still worth checking out.
IF YOU DON’T, I WILL is a sharply observed dark comedy about a collapsing relationship. Viewed at the 39th Cleveland International Film Fest.
Neill Blomkamp wants to make a ‘genetic sibling’ of much-loved James Cameron classic, ALIENS. Is that really what the franchise needs?