THE VOICES is a bizarre career turn for a celebrated cartoonist
The Voices is a truly bizarre film, particularly coming from cartoonist Marjane Satrapi. Does this Ryan Reynolds serial killer comedy hold up?
The Voices is a truly bizarre film, particularly coming from cartoonist Marjane Satrapi. Does this Ryan Reynolds serial killer comedy hold up?
She’s Beautiful When She’s Angry is a powerful if too-conventional documentary history of the early feminist fights for equality.
50 SHADES OF GREY is an improvement on a terrible book, but that’s not enough to make the movie worth your time on its own merits.
Should Spider-Man ‘come home’ to the Marvel Cinematic Universe? Personally, I’d rather see them innovate than correct Sony’s mess.
A Girl Walks Home Alone At Night isn’t the best modern vampire movie, or the scariest. But it just might be the coolest of the bunch.
JUPITER ASCENDING is a deeply silly movie that doesn’t work. It’s also a visual feast with a career-best performance from Eddie Redmayne.
A MOST VIOLENT YEAR gives an all-star cast, including Oscar Isaac and Jessica Chastain, room to explore well-drawn characters.
R100 is a bizarre, ambitious movie about sexuality, bondage, and loneliness. This is a love-it-or-hate-it movie; there is no middle ground.
Everly features a truly bad-ass performance from Salma Hayek in a movie that never even comes close to earning her starpower.
BLACKHAT seems silly on its face, casting buff himbo Chris Hemsworth as a master hacker. What can I say? Michael Mann makes it work.
LUCY shouldn’t work. The hook is silly, the direction is broad, the premise is simple. But Johansson and Besson make a ridiculous ride fun.
2014 was a genuinely amazing year for film. Unless you looked at what – and who – got nominated for an Academy Award.
Taken 3 is a dense, silly movie that is impossible to pay attention to. A truly abysmal capper to an already-stolid trilogy.
A Walk Among the Tombstones may look right at home in the glut of old-man-action we’ve seen, but it’s a step above the competition.
Horns, adapted from a novel by Joe Hill, has a great hook. It’s a shame that the movie they built on it doesn’t really work.