Spider-Man is a step backwards for Marvel Studios
Should Spider-Man ‘come home’ to the Marvel Cinematic Universe? Personally, I’d rather see them innovate than correct Sony’s mess.
Should Spider-Man ‘come home’ to the Marvel Cinematic Universe? Personally, I’d rather see them innovate than correct Sony’s mess.
A Girl Walks Home Alone At Night isn’t the best modern vampire movie, or the scariest. But it just might be the coolest of the bunch.
JUPITER ASCENDING is a deeply silly movie that doesn’t work. It’s also a visual feast with a career-best performance from Eddie Redmayne.
A MOST VIOLENT YEAR gives an all-star cast, including Oscar Isaac and Jessica Chastain, room to explore well-drawn characters.
R100 is a bizarre, ambitious movie about sexuality, bondage, and loneliness. This is a love-it-or-hate-it movie; there is no middle ground.
Everly features a truly bad-ass performance from Salma Hayek in a movie that never even comes close to earning her starpower.
BLACKHAT seems silly on its face, casting buff himbo Chris Hemsworth as a master hacker. What can I say? Michael Mann makes it work.
LUCY shouldn’t work. The hook is silly, the direction is broad, the premise is simple. But Johansson and Besson make a ridiculous ride fun.
2014 was a genuinely amazing year for film. Unless you looked at what – and who – got nominated for an Academy Award.
Taken 3 is a dense, silly movie that is impossible to pay attention to. A truly abysmal capper to an already-stolid trilogy.
A Walk Among the Tombstones may look right at home in the glut of old-man-action we’ve seen, but it’s a step above the competition.
Horns, adapted from a novel by Joe Hill, has a great hook. It’s a shame that the movie they built on it doesn’t really work.
The Guest is a chilling thriller that lets Dan Stevens stretch his muscles. Part Captain America, part Terminator, he’s unforgettable.
The rare comedy that has more sociopolitical importance than it does laughs, The Interview is slight but reasonably charming in the end.
Unbroken, Angelina Jolie’s adaptation of the incredible true story of Olympic hero Louis Zamperini, is remarkably boring.