Killers of the Flower Moon: a long journey worth taking
Our review of the latest from Martin Scorsese, an adaptation of David Grann’s acclaimed book about the turn of the century crimes against the Osage Nation
Author: Kyle Pinion
The Exorcist: Believer, another David Gordon Green flop
David Gordon Green has done it again. What’s that? Make another crappy horror film, that’s what!
The Top 5 Films of TIFF
Our picks for the five best films that played this year’s Toronto International Film Festival
Transmissions from TIFF v3: Monster, Hell of a Summer, Poolman, Evil Does Not Exist
Our next set of reviews from TIFF; inclusive of films by Chris Pine, Finn Wolfhard, Ryusuke Hamaguchi and Hirokazu Kore-eda
Transmissions from TIFF v2: The Zone of Interest, Woman of the Hour, The Holdovers, Seven Veils
Our latest set of reviews from TIFF include new films from Jonathan Glazer, Anna Kendrick, Alexander Payne, and Atom Egoyan
Transmissions from TIFF 2023: The Boy and The Heron, North Star, Do Not Expect Too Much From The End of the World, and The Dead Don’t Hurt
In our first set of reviews from this years Toronto International Film Festival, we look at the latest from Hayao Miyazaki, Radu Jude, Viggo Mortensen, and the directorial debut of Kristen Scott Thomas
MISSION: IMPOSSIBLE – DEAD RECKONING PART ONE, a victim of its own success
The new espionage spectacle from Tom Cruise and Christopher McQuarrie largely brings the thrills you’re looking for, but trouble is on the horizon
THE FLASH, a surprisingly strong adventure in the DC canon
Despite the chaos surrounding its production, The Flash is, miraculously, a pretty fun adventure that’s worth seeing
SPIDER-MAN: ACROSS THE SPIDER-VERSE, the rare Marvel movie I could watch again
While it gets a little unwieldy in its backend, Across the Spider-Verse is the rare resonant superhero movie and is a must-see
CREED 3 is fine, just…fine
Michael B. Jordan’s directorial debut flirts with greatness, but pulls its punches one too many times.
KNOCK AT THE CABIN is remarkably solid, if minor, Shyamalan
The latest from the once heralded filmmaker is his most effective film since The Village
SEFCA announces its 2022 winners, EVERYTHING EVERYWHERE ALL AT ONCE takes the top prize
Another critics group, another big prize for EEAO
With TÁR, Todd Field masterfully examines the corrupting nature of power
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
HELLRAISER, some things are better left in the past
The new reboot of HELLRAISER debuts this week, and while it’s a valiant attempt, it does little to revive this beleaguered franchise.
TOP GUN: MAVERICK, further evidence that Tom Cruise is our last great movie star
The long-awaited sequel, Top Gun: Maverick, is just around the corner – and miracle of all miracles, it’s as good as you’ve heard.