THE ODYSSEY – Nolan Finally Makes His Horror Movie
The Best Picture race is already over
Author: Kyle Pinion
GAIL DAUGHTRY AND THE CELEBRITY SEX PASS, David Wain’s Oz Riff Comes Out Frayed but Fun
Comes out cleanly in the wash, if a little frayed – a fun little trifle powered by a genuinely revelatory Ben Wang.
Fantasia 2026: Curtain Raiser – Five Movies We Can’t Wait To See
With the world’s biggest genre fest right around the corner, here’s five films being unveiled that we can’t wait to see
THE INVITE and the perils of making new adult friends
A comedy of manners that never feels hemmed in by the concept
THE DEATH OF ROBIN HOOD – A Legend Unearned
A failure of execution over intent.
DISCLOSURE DAY – A Power Chord That Never Goes Out Of Tune
The kind of big-scale adventure in the classic Spielberg mold that you’re always hoping he’ll lay in your lap.
THE DRAMA: I’m Afraid of Americans
Borgli dives in where others fear to tread, and the results are as hilarious as they are genuinely unsettling
28 YEARS LATER: THE BONE TEMPLE – The sidequest is the point
DaCosta brings her own sensibilities to Garland’s vision, and while the results may feel more like a necessary pause than a triumph, the craft remains undeniable.
ONE BATTLE AFTER ANOTHER Dominates Atlanta Film Critics Circle’s Awards with Seven Wins
Paul Thomas Anderson’s latest masterwork took home Best Film, Best Actor, Best Supporting Actor, Best Director, among others. Sinners and Weapons notched big wins as well.
MARTY SUPREME: When Mastery Becomes Formula
Josh Safdie’s first solo outing delivers the familiar Safdie rush, but two weeks later I’m wondering if I’ve seen this serve too many times; a good film that makes Uncut Gems look tight by comparison.
Bradley Cooper’s IS THIS THING ON? Can’t Commit to the Bit
Will Arnett delivers an excellent worn-down performance in some of the rawest, most thrilling minutes I’ve seen this year—before the film topples its own belief in the story
SPRINGSTEEN: DELIVER ME FROM NOWHERE – Nebraska State of Mind
Jeremy Allen White disappears into Springsteen with a performance that transcends impersonation, even if the film around him can’t quite find its rhythm.
Guillermo del Toro’s FRANKENSTEIN Can’t Escape Its Creator
An absorbing, richly Gothic portrayal of one of literature’s great tragedies, beaten and bloodied by del Toro’s lapse into familiar territory.
TIFF 2025 Review: IT WAS JUST AN ACCIDENT
Panahi delivers festival gold with this gripping thriller that transforms a simple car accident into a moral reckoning about revenge versus grace.
TIFF 2025 Review: EXIT 8
Exit 8 traps viewers in the same repetitive Tokyo subway loop as its protagonist, turning a video game speedrun concept into tedious pro-life propaganda with terrible CGI.