KNOCK AT THE CABIN is remarkably solid, if minor, Shyamalan
The latest from the once heralded filmmaker is his most effective film since The Village
The latest from the once heralded filmmaker is his most effective film since The Village
Another critics group, another big prize for EEAO
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
The new reboot of HELLRAISER debuts this week, and while it’s a valiant attempt, it does little to revive this beleaguered franchise.
The long-awaited sequel, Top Gun: Maverick, is just around the corner – and miracle of all miracles, it’s as good as you’ve heard.
Ti West’s latest horror opus, the porn meets backwoods slasher, X, has a terrific premise but a detrimental lack of focus.
The Batman, Matt Reeves’ new take on the Caped Crusader, is without doubt the best big screen iteration of the character.
Jane Campion’s film takes home a handful of awards including Best Director and almost sweeps the acting categories
Forget the impending disaster, it’s already here with the arrival of Adam McKay’s terrible new comedy Don’t Look Up.
Other winners include Jane Campion, Benedict Cumberbatch, Drive My Car, and The Mitchells vs. The Machines
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
Paul Thomas Anderson’s latest sets the highest possible bar for cinema in 2021
We review two films releasing this weekend: Wes Anderson’s The French Dispatch and the new effort from Edgar Wright, Last Night in Soho
A cautionary tale ahead of the highly anticipated film’s release
A half human, half lamb hybrid from A24? Sounds like the stuff of nightmares, but the reality is a little more complex than that.