The coronavirus is here, and with it a pandemic like nothing the United States has seen in decades. Steven Soderbergh’s 2011 masterpiece CONTAGION might be the most vital movie on the planet — but not for the reasons you think.
When The Hunt revels in its absurdity and violence, it’s far more entertaining than when it’s trying to be mysterious.
It may look like the director of MIRACLE and WARRIOR is back with another inspirational sports story, but THE WAY BACK is deeper than it appears.
This year, the Women in Horror Film Festival had an interesting variety of feature films, from the comedic to the very dark. Here’s a rundown of the ones I saw!
This year’s Women in Horror Film Festival screened 85 (!) short films. Here are my picks for the best of them!
Our review of the latest adaptation of Emma, a sumptuous looking film that does little else to justify its own existence
Everyone’s hometown has that one weird touristy place or event that happens every year. It draws in those out-of-towner dollars, sure, but all the locals despise it. Mass Hysteria plays not only on that nearly universal conflict, but also on the timely idea of a witch hunt.
What connects Joss Whedon and Drew Goddard’s 2012 horror masterpiece CABIN IN THE WOODS with the current 2020 Democratic Primary? More than you’d think.
Greed could’ve been great if it’d trimmed some of its broader ideas down, honed in on a clearer tone, and functioned as a ruthless takedown of capitalism and the billionaires who exploit it. But much like a tragic hero, it’s devoured by its own ambition.
The filmmakers behind Goodnight Mommy return with…a film that’s a lot like Goodnight Mommy
Our review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn): An unexpected delight. Don’t sleep on this damn fine film.
Need help on your Oscar ballot before Sunday? The ScreenRex crew has you covered!!
The ScreenRex crew makes their picks for the films we’re most excited for in 2020
Angela Robinson’s 2004 cult comedy deserves to be reevaluated as a queer, campy cult classic. Here’s why DEBS deserves your attention.
“The house sits across the street from a church. The house had previously been a brothel. These two facts were unique to this particular house and, to me, hinted at an intriguing starting point.” This is how director Travis Stevens describes the genesis of Girl On The Third Floor in a …
