THE SWERVE finds its horror in the mundane
Two kids. A husband. A house in the suburbs. Bowling. Apple Pie.
The Swerve introduces us to the dread of its world in everyday, comfortable objects.
Two kids. A husband. A house in the suburbs. Bowling. Apple Pie.
The Swerve introduces us to the dread of its world in everyday, comfortable objects.
Jackie (Jess Weixler, Teeth, The Death of Dick Long) and Elliot (Joshua Leonard, The Blair Witch Project, Unsane) are a month away from their first baby’s due date. They are taking the classes, reading the books, and doing all the things they’re supposed to be doing. At their baby shower, however, their …
In the Summer of 2016, the small town of Rutland, Vermont was thrown into chaos. Then Mayor Chris Louras announced that the town would be be housing 100 Syrian refugees. This was one of the few cities in the U.S. to do so, and while some citizens were thrilled and …
Can you have a haunted house movie without any ghosts? You can — THE NEST is a brilliant domestic drama with the trappings of a horror film.
In popular media, the elderly are often used as a quirky punchline. They move to Florida, watch Matlock and Murder She Wrote, can’t figure out how to use the TV remote, and lose their dentures. Think rambling Abe Simpson in The Simpsons or Pam’s puritanical grandma in The Office. It’s …
MURDER DEATH KOREATOWN is a chilling new found footage horror film. Or is it a disgusting exploitation film? Outsider art? It’s hard to say.
Kurtis David Harder’s SPIRAL is a memorable and chilling low-budget horror movie with a star-making turn from Jeffrey Bowyer-Chapman.
China’s World War 2-era epic THE EIGHT HUNDRED was a massive hit in its homeland. Can that success translate to American audiences?
The latest blockbuster effort from Christopher Nolan falls a bit short
The Personal History of David Copperfield has been part of a parade of ‘oh-wow-are-they-making-a-movie-of-that-again?’ literary classic film adaptations to roll through the theaters (or, perhaps, our at-home-theaters) in the last 12 months.
The latest effort from Charlie Kaufman is a perfect counterpoint for Synecdoche, New York
The hotly anticipated sequel to the international zombie smash falls short on just about every metric
PARASITE and KNIVES OUT are two of 2019’s finest films. Together, they have something interesting to say about class solidarity.
Metaphorical psychological horror directorial debuts from Australian female filmmakers – do we have a future possible hyper-niche listing for viewers scrolling Netflix?
The Old Guard had a lot of potential to be something special as a longer-form, character-based form of storytelling, with an intriguing core concept and stellar cast.