KNOCK AT THE CABIN is remarkably solid, if minor, Shyamalan
The latest from the once heralded filmmaker is his most effective film since The Village
The latest from the once heralded filmmaker is his most effective film since The Village
Chances are, you already know about M3GAN.
Another critics group, another big prize for EEAO
This year’s big winners include Eveything Everywhere All at Once, RRR, Top Gun: Maverick, and Banshees of Inisherin.
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
DO REVENGE is MEAN GIRLS meets STRANGERS ON A TRAIN, and it is somehow even better than that description implies.
The new reboot of HELLRAISER debuts this week, and while it’s a valiant attempt, it does little to revive this beleaguered franchise.
Zach Cregger’s BARBARIAN is an unexpected delight, a horror movie that deftly avoids easy scares in favor of more unexpected mounting dread.
We’re back from this year’s Toronto International Film Festival and after taking in tons of movies, here are the 10 best to look out for!
Hulu’s FRESH is an engaging, interesting thriller that struggles to wrestle with some of its darker elements.
THOR: LOVE & THUNDER got a lot of backlash from folks exhausted by the MCU. But does it contain a smarter, more sensitive story than people give it credit for?
THE GRAY MAN, Netflix’s recent attempt at a blockbuster spy thriller from the Russo brothers, would feel more at home on basic cable.
Every now and then, a film comes along that defies everything that came before.
Mr. Malcolm’s List could use a little more passion, but it is otherwise a delightfully charming romantic comedy with a stellar cast.
The latest adaptation from horror writing star Joe Hill, THE BLACK PHONE, takes a solid short story and stretches it into meaninglessness.