Past Lives, a feature debut for writer/director Celine Song, opens with a simple premise. The camera focuses on a trio, a woman sitting in the middle of two men. Off-camera, voices try to puzzle out their connections: is this a couple and a friend? Siblings and a couple? Are any of the three romantically entangled at all? It’s a hard one, they muse.
While it gets a little unwieldy in its backend, Across the Spider-Verse is the rare resonant superhero movie and is a must-see
Since hearing director Ari Aster describe his film Beau is Afraid as a “Jewish Lord of the Rings but he’s just going to his mom’s house,” my curiosity has been high.
Michael B. Jordan’s directorial debut flirts with greatness, but pulls its punches one too many times.
The latest from the once heralded filmmaker is his most effective film since The Village
Chances are, you already know about M3GAN.
Another critics group, another big prize for EEAO
This year’s big winners include Eveything Everywhere All at Once, RRR, Top Gun: Maverick, and Banshees of Inisherin.
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
DO REVENGE is MEAN GIRLS meets STRANGERS ON A TRAIN, and it is somehow even better than that description implies.
The new reboot of HELLRAISER debuts this week, and while it’s a valiant attempt, it does little to revive this beleaguered franchise.
Zach Cregger’s BARBARIAN is an unexpected delight, a horror movie that deftly avoids easy scares in favor of more unexpected mounting dread.
We’re back from this year’s Toronto International Film Festival and after taking in tons of movies, here are the 10 best to look out for!
Hulu’s FRESH is an engaging, interesting thriller that struggles to wrestle with some of its darker elements.
THOR: LOVE & THUNDER got a lot of backlash from folks exhausted by the MCU. But does it contain a smarter, more sensitive story than people give it credit for?
