BOSS LEVEL is unexpectedly sweet
BOSS LEVEL, a Hulu original film from Joe Carnahan, gives us an action-comedy timeloop movie that overcomes its worst instincts.
BOSS LEVEL, a Hulu original film from Joe Carnahan, gives us an action-comedy timeloop movie that overcomes its worst instincts.
Curse of the Dead Gods, a new roguelike from Passtech Games, has been drawing comparisons to 2020 champ HADES. How does it compare?
I Care A Lot, Netflix’s newest original film, is a messy but intriguing crime thriller about an abusive legal guardian in over her head.
PARADISE KILLER is a remarkable achievement by any measure, with some of the finest writing and design work I’ve ever seen in video games.
Curious what this year’s must-see movies are after 12 months of a cinematic wasteland? Let us be your guide!
Marvel Studios’ first Disney+ TV show, WandaVision, is garnering well-deserved accolades. But there’s something rotten at its core.
TERMINATOR: DARK FATE seemed like another cash-in entry to a franchise that hadn’t been relevant since 1991. To my surprise, it was much more.
Cathedral, a new Metroidvania from developers Elden Pixels, is out now on the Nintendo Switch. How does it hold up in an incredible competitive genre space?
Fear not, parents, you have something new to add to the rotation now!
The newly re-released Super Mario 3D World came with a surprise new game unlike any other core Mario title: Bowser’s Fury. Does this hint at something interesting for the future of Mario games?
SEFCA has announced its 2020 awards winners
Disney just released their trailer for Cruella, the Emma Stone starring live-action prequel to 101 Dalmatians. All I can say is: What the fuck?
Cultist Simulator is among the most unique — and addicting — games I’ve played in ages, and the Switch port is flawed but engrossing.
The Night follows a married couple through a nightmarish stay at a mysterious hotel. How does this Iranian-American psychological thriller hold up in translation?
Perhaps the final awards player this season, JUDAS AND THE BLACK MESSIAH, has arrived. Does it close out the Oscar race in grand fashion?