The Boys Season 2 continues to do what it does best – highlight the narcissistic and capitalist greed surrounding the “branding” of superheroes – while adding a new layer of terror to the world’s least heroic do-gooders.
The hotly anticipated sequel to the international zombie smash falls short on just about every metric
PARASITE and KNIVES OUT are two of 2019’s finest films. Together, they have something interesting to say about class solidarity.
Metaphorical psychological horror directorial debuts from Australian female filmmakers – do we have a future possible hyper-niche listing for viewers scrolling Netflix?
The Old Guard had a lot of potential to be something special as a longer-form, character-based form of storytelling, with an intriguing core concept and stellar cast.
In celebration of Hamilton dropping on Disney+ today, I revisit it and wrestle with the show’s politics and legacy five incredibly long years later.
Hirokazu Kore-eda follows up his Palme d’Or winning Shoplifters with a tribute to one of the icons of international cinema.
How can DOOM PATROL possibly improve on its first season? Find out in our review of the first three episodes of Season 2.
Could this be my House of Leaves ripoff in film format, at last?
Studio comedies like The King of Staten Island are becoming an endangered species these days. It’s even harder to find one that actually has heart.
This fictionalized tale of the Haunting of Hill House author sparks new life in a moribund genre
The cure for your post-holiday weekend insomnia is here!
It took years, but the long-awaited Final Fantasy VII Remake has arrived. It isn’t at all what we expected, but it may be exactly what the franchise needs to recapture that old magic.
Blood Quantum tells the story of an indigenous people’s immunity to a zombie plague that has infected the surrounding white population.
It’s the second part of our “Quarantine Edition” podcasts. Let’s again talk about the things that are keeping us entertained this time!
