THE LODGE: a tedious, recycled effort
The filmmakers behind Goodnight Mommy return with…a film that’s a lot like Goodnight Mommy
The filmmakers behind Goodnight Mommy return with…a film that’s a lot like Goodnight Mommy
Our review of Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn): An unexpected delight. Don’t sleep on this damn fine film.
Yeah, yeah, the Oscars are coming up, but we all know the real awards everyone is waiting for are the annual Rexies! We each nominated a film, TV series, and performance (from either film or TV) and cast our votes. Tune in to find out what won! Music Used in …
Need help on your Oscar ballot before Sunday? The ScreenRex crew has you covered!!
The ScreenRex crew makes their picks for the films we’re most excited for in 2020
Angela Robinson’s 2004 cult comedy deserves to be reevaluated as a queer, campy cult classic. Here’s why DEBS deserves your attention.
“The house sits across the street from a church. The house had previously been a brothel. These two facts were unique to this particular house and, to me, hinted at an intriguing starting point.” This is how director Travis Stevens describes the genesis of Girl On The Third Floor in a …
The new Kristen Stewart sci-fi creature feature Underwater hits theaters this weekend, does it sink or swim?
The 2010s are over, and the decade saw some radical changes in the gaming landscape. Join us as we count down the best video games of the decade!
In this first episode of our brand new podcast, we discuss our picks for the best films of the decade that was.
Star Wars: The Rise of Skywalker will be an enormous hit this year, further cementing Disney’s box office domination. Is it complete garbage?
Bombshell may be based on a real-life scandal, but its treatment of it is a faux-empowering mess of a movie. It wants to be a bombshell; it’s more of a dud.
Our review of the Star Wars sequel trilogy capper, The Rise of Skywalker is here. What did we think of JJ Abrams’ return?
6 Underground is Michael Bay at his Michael Bay-iest, now with added Deadpool-related style. It regularly veers into unwatchable.
The year is 2019, and the world is falling apart.
Movies reflect real-life events, societal trends, politics, and more. Sometimes, like a mirror, they do this with surprising immediacy. In other cases, like a shadow, films shortly follow behind reality’s wake. I’d argue 2019 wasn’t a singularly particularly devastating year for the country and the world as much as it is a bookend to a set of several taxing, tension-filled years.