BAFF 2019: ANTRUM delivers on the mystique, but not the substance

It’s no secret that marketing and expectations can have an effect on how we perceive a movie, and historically this has been used with great success for horror films. Think of how terrifying The Blair Witch Project was when it first released, when there were rumors that the film was in some way …

AFF ’19: IN FABRIC is the best kind of surreal horror

Peter Strickland’s films are always difficult to define, from his ode to the Italian Giallo in Berberian Sound Studio to the women-only alternate universe BDSM romance of The Duke of Burgundy. His newest film, In Fabric, is firmly in the horror camp, but is too stylish and bizarre to fit easily into any sub-genre.

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