Dear Television Critics, Quit Forgetting Dave Gibbons
A plea to our colleagues to properly credit both creators of WATCHMEN
The Bleak Brilliance of VERONICA MARS
Veronica Mars was a shockingly dark teen neo-noir when it first aired in the mid-2000s, and the series feels even more relevant today than it did the day it first aired.
Atlanta Film Critics Circle announces its 2019 winners, names PARASITE year’s best film
Other honorees include Bong Joon-ho, Adam Driver, Renee Zellweger and more
BAFF 2019: Feature Film Rundown
Every November in Atlanta, Georgia, Halloween gets extended a few extra weeks, and we all have an excuse to continue watching horror movies a bit longer before diving into the holiday season. That’s all thanks to the Buried Alive Film Festival, the long running festival that brings great horror films of …
BAFF 2019: THE WRETCHED is the next great witch movie
Witch stories are on the rise, and there are two kinds of witch movies that I really dig: modern feminist witches that kick patriarchal ass, and creepy ancient witches that eat babies. The Wretched, directed by the Pierce Brothers, falls firmly in the latter category.
BAFF ’19: PORNO is what you should be watching
Porno is great. Everyone should watch Porno from time to time, and you’ll really enjoy yourself watching it.
Okay, sorry, I couldn’t resist.
BAFF 2019: ANTRUM delivers on the mystique, but not the substance
It’s no secret that marketing and expectations can have an effect on how we perceive a movie, and historically this has been used with great success for horror films. Think of how terrifying The Blair Witch Project was when it first released, when there were rumors that the film was in some way …
DOLEMITE IS MY NAME finds Eddie Murphy back on top
Hearing that Eddie Murphy and Netflix are teaming up might give you pause. It’s been a brutal couple of decades for a man that was once one of the hottest stars in Hollywood. But a funny thing about expectations: they can sometimes delightfully be upended.
JOKER is deeply stupid and creatively bankrupt
The stand-alone origin tale for the Batman villain fails in all respects.
QUICKTAKE: Love, Antosha
Love, Antosha does a lot with very little time, which is nothing if not fitting. Through a series of interviews with his family, his friends, and colleagues, the film chronologically explores the chapters of Anton Yelchin’s life.
Podcast Episode 164: Reviewing THE NIGHTINGALE, LUCE, and WHERE’D YOU GO, BERNADETTE?
Which should you spend your hard earned dollars on? Well, we’re kind of split, but we do know which movie you *shouldn’t* see.
LONG SHOT somehow makes it work
At first blush, Long Shot looks like exactly that. Political rom-com? Is that a thing anyone really wants right now? But somehow it has emerged as one of the better romantic comedies to get a theater release in the last year.
Atlanta Film Festival 2019: Features Overview
The 2019 Atlanta Film Festival showed 180+ feature films, short films, special presentations and creative media, and was one of the best lineups of films I’ve seen in my ten years of going to the fest. It’s no wonder it was recently named the second best film festival in the country! Here’s a rundown of …
AFF ’19: GREENER GRASS is your new favorite party movie
There is a rich history of suburban satire and horror, from The Stepford Wives to The Burbs to Halloween, but none capture the inherent weirdness in the suburban community like Greener Grass, the feature film debut of writer/director/stars Jocelyn DeBoer and Dawn Luebbe.
AFF ’19: IN FABRIC is the best kind of surreal horror
Peter Strickland’s films are always difficult to define, from his ode to the Italian Giallo in Berberian Sound Studio to the women-only alternate universe BDSM romance of The Duke of Burgundy. His newest film, In Fabric, is firmly in the horror camp, but is too stylish and bizarre to fit easily into any sub-genre.