In our first set of reviews from this years Toronto International Film Festival, we look at the latest from Hayao Miyazaki, Radu Jude, Viggo Mortensen, and the directorial debut of Kristen Scott Thomas
Christopher Nolan has made some of my favorite movies of all time. But every filmmaker has weaknesses, and over the years Nolan’s have crystallized.
The new espionage spectacle from Tom Cruise and Christopher McQuarrie largely brings the thrills you’re looking for, but trouble is on the horizon
Despite the chaos surrounding its production, The Flash is, miraculously, a pretty fun adventure that’s worth seeing
Past Lives, a feature debut for writer/director Celine Song, opens with a simple premise. The camera focuses on a trio, a woman sitting in the middle of two men. Off-camera, voices try to puzzle out their connections: is this a couple and a friend? Siblings and a couple? Are any of the three romantically entangled at all? It’s a hard one, they muse.
While it gets a little unwieldy in its backend, Across the Spider-Verse is the rare resonant superhero movie and is a must-see
Since hearing director Ari Aster describe his film Beau is Afraid as a “Jewish Lord of the Rings but he’s just going to his mom’s house,” my curiosity has been high.
Michael B. Jordan’s directorial debut flirts with greatness, but pulls its punches one too many times.
The latest from the once heralded filmmaker is his most effective film since The Village
Chances are, you already know about M3GAN.
Another critics group, another big prize for EEAO
This year’s big winners include Eveything Everywhere All at Once, RRR, Top Gun: Maverick, and Banshees of Inisherin.
FINAL FANTASY V was once a white whale for American JRPG fans. Can this rerelease live up to the game’s decades of hype?
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
DO REVENGE is MEAN GIRLS meets STRANGERS ON A TRAIN, and it is somehow even better than that description implies.
