THE BLACK PHONE stretches a good short story past its breaking point
The latest adaptation from horror writing star Joe Hill, THE BLACK PHONE, takes a solid short story and stretches it into meaninglessness.
The latest adaptation from horror writing star Joe Hill, THE BLACK PHONE, takes a solid short story and stretches it into meaninglessness.
More than a decade ago, a small anthropomorphic shell with a squeaky voice caught the collective eyes of the internet. Marcel, a shell with crude googley eyes and glued-on shoes, charmed in a series of stop-motion shorts where he described the world from his small point of view: a slice of life mockumentary about how he drives a bug for a car, wears a lentil for a hat, and uses human toenails as skis.
Final Fantasy I’s Pixel Remaster is an approachable way to play an iconic game. How does the game itself hold up, 35 years later?
ALICE tells the semi-true story of an enslaved woman escaping captivity only to find herself in 1970s George. But is it worth your time?
INSIDE OUT film festival recently wrapped up with the Thrive series, a set of excellent short films about the trans and nonbinary experience.
When Alex Garland made the jump from writing to directing, he was one of the few to successfully make the leap. Known for penning acclaimed films like 28 Days Later and Sunshine, Garland’s directorial debut of Ex Machina in 2014 turned heads. And if his follow up – the 2018 adaptation of the novel Annihilation, by Jeff VanderMeer – didn’t outright turn heads, it at least tilted them.
DORFROMANTIK, a relaxingly gentle new puzzle game from Toukana Interactive, is a cottagecore dream come true.
The long-awaited sequel, Top Gun: Maverick, is just around the corner – and miracle of all miracles, it’s as good as you’ve heard.
SELL/BUY/DATE, a loose adaptation of Sarah Jones’ popular one-woman show, hides an anti-sex work polemic behind a documentarian facade.
AMERICANISH is a solid but overstuffed romantic comedy/culture clash dramedy held together by an immensely charming cast.
HOMEBODY is a genderqueer bodyswap movie that falters in the last act, despite a charming performance from star Colby Minifie.
Every so often, a documentary finds a truly odd story and a truly novel way to tell it, and THE PEZ OUTLAW unquestionably fits that mold.
Leave it to Dan Kwan and Daniel Scheinert – the writer/director duo behind Swiss Army Man, which showed us Paul Dano using Daniel Radcliffe’s corpse as a fart-powered motorboat, because why not – to find a fresh spin on the concept that occupies critical darling territory.
DARK DEITY, a FIRE EMBLEM-esque tactics game, is out now on Switch and PC. How does this indie game hold up to its inspirations?
KING RICHARD lets Will Smith play the role of Richard Williams, father to Venus and Serena. But is it focused on the wrong guy?