TAMMY AND THE T-REX is a New Cult Classic
TAMMY AND THE T-REX should be as beloved a cult object as THE ROOM or BIRDEMIC. This recently rediscovered gem is not to be missed.
TAMMY AND THE T-REX should be as beloved a cult object as THE ROOM or BIRDEMIC. This recently rediscovered gem is not to be missed.
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
One of this year’s best films is a black-and-white portrait of memories-in-the-making. And, no, I’m not talking about Belfast. Sure, Belfast will be a top Oscar contender – it’s a crowd-pleasing, generic film filled with Oscar-bait performances. But I’m talking about the other, better black-and-white film of this Oscar season: C’mon C’mon.
Paul Thomas Anderson’s latest sets the highest possible bar for cinema in 2021
UNPACKING is a simple, relaxing puzzle game that manages to have some of the best environmental storytelling I’ve seen in ages.
GUNPOWDER MILKSHAKE dropped on Netflix, and, despite a stellar cast, vanished almost immediately into the Content Hole. What went wrong?
Voice of Cards: The Isle Dragon Roars is a throwback JRPG that looks fantastic but plays a little too conservatively to warrant interest.
DUNE: PART ONE is a masterpiece of science fiction. It is also part of a longstanding demonization of fatness that came to a head for me in 2021.
We review two films releasing this weekend: Wes Anderson’s The French Dispatch and the new effort from Edgar Wright, Last Night in Soho
The Love Parade, one of the earliest movie musicals, is streaming now on the Criterion Channel. Fun but flawed, this one is ripe for a remake.
A cautionary tale ahead of the highly anticipated film’s release
Samus Aran is back with a vengeance as the long-in-development METROID DREAD has finally come out. Can it live up to decades of expectation?
Let’s just state it plainly: The Last Duel looks awful. There’s the hair, to start with the superficial – Matt Damon sports a horrendous medieval mullet, while Ben Affleck’s tresses are bleached to oblivion and shaped into a childish bowl cut. It’s not the kind of thing you’d normally comment on, except these haircuts are so supremely and distractingly awful even the cast wondered if director Ridley Scott knew what he was doing with them.
A half human, half lamb hybrid from A24? Sounds like the stuff of nightmares, but the reality is a little more complex than that.
The forefather of all metroidvanias is coming back this week in Metroid Dread. If you’re interested in learning more about the genre, start here.