SCARE ME is a great movie about storytelling
SCARE ME upends the expectations of the horror anthology with a smart, funny story about short, spooky stories.
SCARE ME upends the expectations of the horror anthology with a smart, funny story about short, spooky stories.
I’ve had insomnia since I was young. It comes and goes, and I’ve found ways to manage or even predict it over the years. It first struck while I was about 10 years old, where I suddenly found myself with a novel issue: lots of time to kill in the …
Forget the impending disaster, it’s already here with the arrival of Adam McKay’s terrible new comedy Don’t Look Up.
Other winners include Jane Campion, Benedict Cumberbatch, Drive My Car, and The Mitchells vs. The Machines
TAMMY AND THE T-REX should be as beloved a cult object as THE ROOM or BIRDEMIC. This recently rediscovered gem is not to be missed.
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
One of this year’s best films is a black-and-white portrait of memories-in-the-making. And, no, I’m not talking about Belfast. Sure, Belfast will be a top Oscar contender – it’s a crowd-pleasing, generic film filled with Oscar-bait performances. But I’m talking about the other, better black-and-white film of this Oscar season: C’mon C’mon.
Paul Thomas Anderson’s latest sets the highest possible bar for cinema in 2021
UNPACKING is a simple, relaxing puzzle game that manages to have some of the best environmental storytelling I’ve seen in ages.
GUNPOWDER MILKSHAKE dropped on Netflix, and, despite a stellar cast, vanished almost immediately into the Content Hole. What went wrong?
Voice of Cards: The Isle Dragon Roars is a throwback JRPG that looks fantastic but plays a little too conservatively to warrant interest.
DUNE: PART ONE is a masterpiece of science fiction. It is also part of a longstanding demonization of fatness that came to a head for me in 2021.
We review two films releasing this weekend: Wes Anderson’s The French Dispatch and the new effort from Edgar Wright, Last Night in Soho
The Love Parade, one of the earliest movie musicals, is streaming now on the Criterion Channel. Fun but flawed, this one is ripe for a remake.
A cautionary tale ahead of the highly anticipated film’s release