Clocking in at around 70 minutes, this follow up from Celine Sciamma, the director of Portrait of a Lady on Fire, was my most eagerly anticipated film of TIFF. Petite Maman explores family relationships, grief, and other emotional arcs through a more playful lens of a child.
More Light Sleeper than Mishima, but Paul Schrader’s latest remains worth seeing
HOLLER, Nicole Riegel’s debut feature film, is a sharp drama about fighting for life on the fringes of society, one that hearkens back to classics like WINTER’S BONE.
The latest Marvel effort, Shang-Chi and the Legend of the Ten Rings continues Marvel’s Phase 4 woes.
The filmmaker behind The Ritual returns for a grief-soaked ghostly effort that ties itself up in unnecessary narrative contortions
PLAN B, a new teen coming-of-age comedy, is available right now on Hulu, and it is very much worth your attention.
What does a superhero movie without the Pentagon’s seal of approval look like?
David Lowery creates his proper follow-up to A Ghost Story with the masterful The Green Knight. Read our review!
But is a must-watch for fans of DC’s cult classic series Wasteland
CRUELLA is like THE RISE OF SKYWALKER: A mess of a movie that nevertheless provides a valuable lesson in how not to tell stories.
When then-Marvel Entertainment CEO Ike Perlmutter penned an email in 2014 listing examples of failed super hero flicks that were female led, it’s not hard to imagine he was debating the value of adding a Black Widow solo film into the Marvel Cinematic Universe.
Edgar Wright tackles one of his biggest musical idols in THE SPARKS BROTHERS, a loving tribute that displays an incredible amount of breadth, but an equally frustrating lack of depth
OXYGEN, a French sci-fi thriller recently released on Netflix, is available now. How does this one-woman show hold up?
Marvel’s most enduring villain in back, as Loki returns in his own time traveling solo series. Check out our review of the first 2 episodes.
This third Conjuring effort takes a turn for the bargain bin.
