THE POWER OF THE DOG tests the limits of masculinity
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
OXYGEN, a French sci-fi thriller recently released on Netflix, is available now. How does this one-woman show hold up?
Chadwick Boseman’s final film, Ma Rainey’s Black Bottom, has arrived. How does Netflix’s adaptation of the August Wilson classic play fare?
David Fincher’s long-awaited new feature, MANK, stylishly centers on the largely untold story of the co-screenwriter of CITIZEN KANE
Season 4 of The Crown is here. This is arguably the most anticipated season of the Netflix hit yet, by virtue of the ground it has to cover: anyone old enough to remember that fateful Paris car crash knows this season begins the public unraveling of one of the most private famous families in the world.
Riding in the background, or perhaps its even in the foreground depending upon your political persuasions, in Aaron Sorkin‘s latest is an element of timeliness. It shouldn’t be lost on any viewer that a film about a group of activists being put on trial by a corrupt administration, and aided …
The latest effort from Charlie Kaufman is a perfect counterpoint for Synecdoche, New York
6 Underground is Michael Bay at his Michael Bay-iest, now with added Deadpool-related style. It regularly veers into unwatchable.
Polar, a Netflix adaptation of a spy thriller graphic novel, is terrible in nearly every way a movie can be bad. Do not watch it.
The Marvel/Netflix partnership hasn’t produced a truly great show yet, but in IRON FIST, it found its first truly abysmal one.