BLACK BAG’s espionage excellence brings Soderbergh back to form
Soderbergh’s best film in years
Author: Kyle Pinion
MICKEY 17: When Vision Gets Lost In Translation
In his follow-up to the Oscar-winning Parasite, Mickey 17 highlights a growing weakness in Bong Joon Ho’s Hollywood output
A COMPLETE UNKNOWN – The Times They Aren’t A-Changin’
James Mangold resurrects his Walk The Line formula for one of music’s most iconic figures, to everyone’s detriment.
Atlanta Film Critics Circle (AFCC) names ANORA as Best Film, Brady Corbet as Best Director, among other 2024 winners
Atlanta has made its voice heard for 2024 in film
NOSFERATU continues a perfect winning streak for our best horror filmmaker
Robert Eggers’ crafts this year’s most unlikely Christmas movie
Transmissions from TIFF 2024 v4: CONCLAVE, HERETIC, FRIENDSHIP
The final round of Kyle’s TIFF coverage includes new films from Edward Berger, a horror film starring Hugh Grant, and a Tim Robinson-Paul Rudd crossover
Transmissions from TIFF 2024 v3: ANORA, SHARP CORNER, ICK
Kyle takes a look at new movies from Sean Baker, Jason Buxton, and Joseph Kahn
Transmissions from TIFF 2024 v2 – THE BRUTALIST, THE LAST SHOWGIRL, THE LIFE OF CHUCK
Kyle’s TIFF Day 2 writeup sees him reviewing new films from Brady Corbett, Mike Flanagan and Gia Coppola
Transmissions from TIFF 2024 – PRESENCE, THE SEED OF THE SACRED FIG, CLOUD
Day 1 of Kyle’s coverage of the Toronto International Film Festival
DEADPOOL & WOLVERINE continues Marvel’s flop era
It’ll make a ton of money, but it’s more a full length meme than a movie
KINDS OF KINDNESS, the long-awaited and much needed return of “Mean Yorgos”
After a pair of attempts at appealing to the awards mainstream, everyone’s favorite Greek filmmaker is back at what he’s best at.
I SAW THE TV GLOW: from another perspective
Videodrome but make it Vaporwave
CIVIL WAR isn’t what you think it’s about, and that’s a good thing
Garland’s “what if” scenario surprises as a solid rebound for the filmmaker
This generation’s Pee-Wee’s Big Adventure has arrived in PROBLEMISTA
Julio Torres has concocted one of the best directorial debuts in recent memory
DUNE: PART TWO is 2024’s first Best Picture contender
The delayed sequel marks a huge improvement on the first in almost every way.