SEFCA announces its 2022 winners, EVERYTHING EVERYWHERE ALL AT ONCE takes the top prize
Another critics group, another big prize for EEAO
Author: Kyle Pinion
With TÁR, Todd Field masterfully examines the corrupting nature of power
Todd Field makes his long awaited return to the big screen with the exceptional TÁR, which examines power and our cultural response to it
HELLRAISER, some things are better left in the past
The new reboot of HELLRAISER debuts this week, and while it’s a valiant attempt, it does little to revive this beleaguered franchise.
TOP GUN: MAVERICK, further evidence that Tom Cruise is our last great movie star
The long-awaited sequel, Top Gun: Maverick, is just around the corner – and miracle of all miracles, it’s as good as you’ve heard.
X, a sumptuously shot film in need of a better script
Ti West’s latest horror opus, the porn meets backwoods slasher, X, has a terrific premise but a detrimental lack of focus.
THE BATMAN is finally the world’s greatest detective
The Batman, Matt Reeves’ new take on the Caped Crusader, is without doubt the best big screen iteration of the character.
Southeastern Film Critics Association chooses THE POWER OF THE DOG as Best Picture
Jane Campion’s film takes home a handful of awards including Best Director and almost sweeps the acting categories
DON’T LOOK UP is Adam McKay’s Downsizing
Forget the impending disaster, it’s already here with the arrival of Adam McKay’s terrible new comedy Don’t Look Up.
Atlanta Film Critics Circle (AFCC) selects LICORICE PIZZA as 2021’s Best Film
Other winners include Jane Campion, Benedict Cumberbatch, Drive My Car, and The Mitchells vs. The Machines
THE POWER OF THE DOG tests the limits of masculinity
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
LICORICE PIZZA is this year’s best film
Paul Thomas Anderson’s latest sets the highest possible bar for cinema in 2021
The ScreenRex Podcast: THE FRENCH DISPATCH & LAST NIGHT IN SOHO reviewed
We review two films releasing this weekend: Wes Anderson’s The French Dispatch and the new effort from Edgar Wright, Last Night in Soho
Why I wish I hadn’t read DUNE before I watched it
A cautionary tale ahead of the highly anticipated film’s release
LAMB is a fable that will haunt you
A half human, half lamb hybrid from A24? Sounds like the stuff of nightmares, but the reality is a little more complex than that.
NO TIME TO DIE aims high and falls just short
With his final 007 outing, Daniel Craig attempts to go out on a high note, and comes so tantalizingly close.