X, a sumptuously shot film in need of a better script
Ti West’s latest horror opus, the porn meets backwoods slasher, X, has a terrific premise but a detrimental lack of focus.
Author: Kyle Pinion
THE BATMAN is finally the world’s greatest detective
The Batman, Matt Reeves’ new take on the Caped Crusader, is without doubt the best big screen iteration of the character.
Southeastern Film Critics Association chooses THE POWER OF THE DOG as Best Picture
Jane Campion’s film takes home a handful of awards including Best Director and almost sweeps the acting categories
DON’T LOOK UP is Adam McKay’s Downsizing
Forget the impending disaster, it’s already here with the arrival of Adam McKay’s terrible new comedy Don’t Look Up.
Atlanta Film Critics Circle (AFCC) selects LICORICE PIZZA as 2021’s Best Film
Other winners include Jane Campion, Benedict Cumberbatch, Drive My Car, and The Mitchells vs. The Machines
THE POWER OF THE DOG tests the limits of masculinity
Jane Campion’s latest is a thoughtful look at masculinity in the dying old west and gives way to the best performance of its star’s career
LICORICE PIZZA is this year’s best film
Paul Thomas Anderson’s latest sets the highest possible bar for cinema in 2021
The ScreenRex Podcast: THE FRENCH DISPATCH & LAST NIGHT IN SOHO reviewed
We review two films releasing this weekend: Wes Anderson’s The French Dispatch and the new effort from Edgar Wright, Last Night in Soho
Why I wish I hadn’t read DUNE before I watched it
A cautionary tale ahead of the highly anticipated film’s release
LAMB is a fable that will haunt you
A half human, half lamb hybrid from A24? Sounds like the stuff of nightmares, but the reality is a little more complex than that.
NO TIME TO DIE aims high and falls just short
With his final 007 outing, Daniel Craig attempts to go out on a high note, and comes so tantalizingly close.
DOOM PATROL Season 3 continues its reign as the best superhero show
The most forward thinking show of the genre kicks it up a notch in its third season
THE CARD COUNTER proves mid-tier Schrader is still a high bar
More Light Sleeper than Mishima, but Paul Schrader’s latest remains worth seeing
SHANG-CHI AND THE LEGEND OF THE TEN RINGS is Marvel at its least essential
The latest Marvel effort, Shang-Chi and the Legend of the Ten Rings continues Marvel’s Phase 4 woes.
A few good scares can’t save THE NIGHT HOUSE’s baffling narrative
The filmmaker behind The Ritual returns for a grief-soaked ghostly effort that ties itself up in unnecessary narrative contortions